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WELCOME TO RESEARCH DAY, Salem State’s annual showcase and celebration of research, scholarship, and creative inquiry. Join us at any point in the day for engaging presentations, panel discussions, performances, and more.

The day begins with the Undergraduate Research Symposium from 9 am to 12 pm, followed by the BIAC Plenary at 12:15 pmand the Faculty and Graduate Research Symposium from 1:30 to 6 pm, with many events taking place throughout the day.

This digital program provides participants and attendees with a seamless, up-to-the-minute scheduling experience. The search function can help you find presenters and sessions, and the My Sched feature allows you to craft a tailored plan for the day. Happy exploring!

Questions before the event? Check the Research Day FAQs page or email ssu-crca@salemstate.edu
Friday, May 3 • 9:10am - 9:30am
Opening Performances: Creative Expressions in Dance and Theatre

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Opening Performances: Creative Expressions in Dance and Theatre
9:10-9:40 am | Recital Hall


Betsy Miller, Music and Dance, faculty advisor
Introduction: On Creative Inquiry

Kaija Schram
Just a Tap Dance

Tap dance holds a heavy history of cultural importance in The United States, but is often left out of the conversation in higher dance education. College programs across the country offer dance programs in a variety of formats. While these dance programs vary drastically, eurocentrism lives at the root of the large majority of them.

I am interested in investigating the relationship between systematic racism in higher dance education and lack of access to certain styles, particularly tap dance. There are currently no college dance programs offering a concentration or specialization in tap dance, while there are a large number offering modern and ballet focused studies. I have created a tap piece filed by my personal frustrations regarding this issue.

Arianna Cavallaro
A Look Back

While working with individuals with dementia in a senior living home throughout college, I have observed that joyful memories resurface through dance and music. While witnessing this pattern, I started to become curious about why and how the brain allows memories to resurface through these art forms.

The senior capstone piece I have choreographed presents how the brain resurfaces memories and how a song can trigger happier times to reappear for the listener.

Karen Gahagan, Center for Creative and Performing Arts, director
On Theatre

Ian Tomarakos
1st Place Winner, Irene Ryan Acting Scholarship, Kennedy Center American College Theatre Festival Region 1
The Kentucky Cycle by Robert Schenkkan
The Imaginary Cuckhold by Moliere

Ian Tamorakos and Anya Saben
The Legend of Georgia McBride by Matthew Lopex

Anya Saben
Winner, Best Scene Partner for the Irene Ryan Acting Scholarship, Kennedy Center American College Theatre Festival Region 1
Futile Devices by Anya Saben
original monologue from a short play, also called Futile Devices

Moderators and Facilitators
KG

Karen Gahagan

director, Center for Creative and Performing Arts
BM

Betsy Miller

Music and Dance

Participants
KS

Kaija Schram

undergraduate, Music and Dance
AC

Arianna Cavallaro

undergraduate, Music and Dance
AS

Anya Saben

undergraduate
IT

Ian Tomarakos

undergraduate


Friday May 3, 2024 9:10am - 9:30am EDT
Recital Hall | Bertolon Central Classroom Building